Two black and white images. One shows a classroom with five girls seated at desks working on artwork. Artwork is also hung up on the walls. The other photo shows Miss Jessie Topham Brown. She has white hair and glass with thick black frames and she is wearing a striped collar shirt with pearls.
An undated photo of a class at Miss Jessie’s art studio; (inset) a portrait of Miss Jessie in the 1970s.

International Women’s Day

March 8 was International Women’s Day. One woman who had a particularly important influence on the local art scene was Miss Jessie Topham Brown.

Miss Jessie immigrated to Canada from England in 1909, and later arrived in Vernon in 1916. She began working at the St. Michael’s Boarding School for Girls, located on East Hill, as a cook, coach, and art teacher. After World War One, she started teaching at the Vernon Preparatory School, and in the summers, offered art classes for both children and adults from a camp on Okanagan Lake near the Killiney Wharf.

Summer Art Camps

Those who attended these camps would pack out their supplies on horseback, and spend several days sleeping beneath the stars and painting during waking hours. The groups would sometimes venture to other locations, including the Mara and Shuswap Lakes, to capture different landscapes.

Described as a “paragon of the arts,” Miss Jessie had been exposed to creative pursuits since childhood, having spent three years at the Slade School of Art at University College, and although she did not paint much herself, loved cultivating the talents of others.

Art Studio and Art Gallery

Miss Jessie later opened her own studio on 32nd Street, which she then moved to the former Post Office building at 30th Avenue and 30th Street. Besides drawing and painting, she also taught pottery, weaving and silk screening until her retirement in 1967. Many of Miss Jessie’s former students went on to be accomplished artists, one of whom was Joan Heriot, good friend to fellow artist Sveva Caetani.

Miss Jessie was also integral in creating a facility to house a permanent collection of local artwork. The Topham Brown Public Art Gallery was originally located in the top floor of the Vernon Museum (now used as a storage space for artifacts); it later moved to its current location at 3228 31st Avenue, around the same time as its name was changed to the Vernon Public Art Gallery. To honour Miss Jessie’s contribution, the main gallery at the VPAG continues to be known as the Topham Brown Memorial Gallery.

In 1971, “in recognition of her service, contribution, influence and encouragement in the field of the arts to all residents,” Miss Jessie was granted Freedom of the City. She passed away a few years later, in 1974, at the age of 92.

 

To explore more of Vernon’s history, check out our other blog posts

Gwyneth Evans, Head of Archives

 

 

 

 

 

The MAV is proud to present this special blog post written by collections intern Alexandra Fox, who is currently developing a display on the history of Vernon’s Jewish Community.

A young woman with dark hair is smiling at the camera and standing in front of a large, black-and-white cut-out image of a man.

“My name is Alexandra Fox. I am a 24 year old Jewish woman. I was born to a Jewish father and a Protestant mother, so technically I am not considered Jewish because Jewishness is considered matrilineal. However, it is the religious side that I connect to the most, maybe in part due to always being told that I look Jewish. When my father married my mother, a lot of his family was mad that he wasn’t marrying a Jewish woman.

Religion has always been a complicated thing for me. My father used to be very religious when growing up, and the rest of his family still is, but when he moved to Canada from South Africa he left that behind him. Therefore, I wasn’t raised very religious and never had my bat mitzvah. My sister has also struggled with this confusion of identity and is currently volunteering in Israel, in part to get to know that part of herself more. When I am around some of my family that is more religious, I sometimes feel awkward because religion has been such a huge part of their identity growing up and I never had that.

A young woman is leaning into a large wood display case to arrange Jewish objects.
Intern Alex hard at work on her exhibit about Vernon’s Jewish Community.

I never really went to a church or synagogue while growing up but I took part in holiday celebrations. I always took part in Christmas and at least one day of Hanukkah. Eight days is a lot and since you have to leave the candles burning until they die out, it wasn’t always practical to do all the days. It has always been interesting for me to see how the dates of Hanukkah change year to year, as they are based on the Jewish calendar, so they fall anywhere between the first week of December and the last week. In fact, Hanukkah in 2024 starts on December 25th and ends on January 2nd 2025!

When embarking on my exhibit, I wanted to do it on something I connected to and had meaning for me. It was a struggle to find objects for the exhibit, as the Vernon Museum & Archives doesn’t have a Jewish collection, so I went to the community to ask if they could loan objects. Before I got the objects, I honestly almost gave up on the topic and chose a new one. Therefore, I am very thankful to Laura McPheeters, who is the president of the Okanagan Jewish Community Association in Kelowna (although she is a Vernon resident).”

 

Grassroots of Vernon’s Jewish Community

For the next three months, The Museum & Archives of Vernon will present an exhibit on the Jewish community in Vernon. Did you know that, in terms of settlement, this community is relatively new to the area?

The first Jewish settlers came to B.C. from other places in Canada, the United States, and Western Europe after the 1850s, during the Gold Rush, and settled mostly in Vancouver. The end of the 19th century saw an influx of Jews from Eastern Europe instead of Western Europe, as before.

In terms of Vernon, it unfortunately appears that the first members of the Jewish community to arrive in the area found themselves stripped of their rights and freedoms, and interned in the Vernon Internment Camp. At least two Jewish German nationals who lived in the Lower Mainland were apprehended following the break-out of World War One and transported to Vernon. However, in this case, it was their German heritage and not their Jewish identity that

 An excerpt from the 2021 Vernon Census.

was the reported reason for their internment.

Time to settle

The first Jews to actually settle within Vernon did so in the 1970s; the 1971 census says there were around 20 Jews then. The population grew to 55 in 1981, dropped to 50 in 1991, and then rose again to 170 in 2001. The most recent census, that of 2021, was the first one to include Jewish as an ethnicity and as a religion, whereas it was just listed as a religion previously, and 185 people answered they were ethnically Jewish while 90 said they were religiously Jewish.

Aerial view of Camp Hatikvah on the shores of Kalamalka Lake near Oyama taken circa 1956.

 

Close Knit Community

Even now, the Jewish community in the Okanagan is relatively small and organizations like the Okanagan Chabad House and Camp Hatikvah serve to unite them. The latter opened in Oyama in 1956, and seeks “to produce proud, happy Jewish youth who were earnest and sincere in their beliefs.” Moreover, this summer camp is not exclusive to Jews, as other communities can rent it for their camps, and in the past it has been most notably used by the Boy Scouts. The MAV has previously hosted events for the Okanagan Jewish community, including Hanukkah, and this exhibit aims to increase awareness about this small but close-knit community among the wider population of Vernon.

To explore more of Vernon’s history, check out our other blog posts

 

 

 

 

 

A black and white side view of a stem engine train passing along tracks. "962" is written beneath the conductor's window, and the figure of a man is seen leaning out of it. "Canadian Pacific" is written on the back half of the engine.
A view of Engine 962, courtesy of the website Okanagan.net.
A black and white image of a man waving from the window of a train. He is smiling and looking back over his shoulder. He is wearing a pale conductor's hat, and has on a tie and jacket. "962" is printed beneath the window.
A photo from the Kelowna Courier of February 27, 1950, showing conductor Charles Haggitt, veteran conductor of Engine 962, on his final run before retiring. Courtesy of the website Okanagan.net.

Veteran 962

“No longer will the clanging bell and the piercing whistles of veteran No. 962 be heard on the Okanagan sub-division between Kelowna and Sicamous” read an article in the Kelowna Courier of March 18, 1957.

Engine 962 carried both passengers and freight through the Okanagan Valley in a time when steam-powered trains were considered the work-horses of the Canadian Pacific’s Okanagan run. Ontario-born Charles Hagitt, who served as the engine’s chief engineer, described it as the “pride of the Okanagan,” and when he retired in 1950 said he felt like he was parting from an old friend.  

Service Discontinued

It was thought that the engine would be used for many more years after Haggitt’s retirement, but when service between Kelowna and Sicamous was discontinued in 1954, the engine was used as a yard switcher in Vernon.

It performed its last passenger run in 1957 (and was, in fact, the last steam engine to haul a passenger train from Kelowna on the CPR) with engineer Cyrill Taylor at the controls. The engine was then scraped in 1958 when the CPR converted to diesel power.

A black and white image of a large metallic bell on a table with three men looking at it. All three are wearing bowler hats, and have their backs to the camera. The bell is hanging in a metal sling contraption.
The bell of CPR steam engine 962 being presented to the City of Vernon in 1959.

The Bell Donated

The engine’s bell—which was heard many times by the residents of Vernon as the train passed through—was donated to the City in 1959, and was later turned over the Vernon Museum. It remains on display at the museum’s front entrance.

A gold-coloured bell in a black metal sling sitting on a rock floor. The base of a black door with a window is visible to the right.
The bell from Engine 962 on display in the Vernon Museum in 2022.

 

 

 

 

 

To explore more of Vernon’s history, check out our other blog posts

Gwyneth Evans, Research and Communications Coordinator

 

 

Two women in front of a beige, multi-storied building, holding botanical samples. The woman on the left is blond, and smiling at the camera. The woman on the right has dark red hair with bangs, with piercings on her hair and one below her mouth, and smiling slightly and looking off to her left. The left sample is a green plant with a white flower pressed flat on a sheet of paper between sheets of thin plastic. The right sample has pink, bell-shaped flowers.
Cheryl Craig and Jennifer Rhodes of the UBCO Biology Department displaying samples from Jim Grant’s botany collection in 2022.

A collection of 400 laminated botanical samples collected around B.C. by local naturalist Jim Grant has been transferred from the Vernon Museum to UBCO’s Biology Department.

A smiling man with short grey hair wearing a blue beret. He is also wearing a while collar shirt, with is peaking out from a being knit sweater. He is looking at the camera and has black binoculars on a brown strap around his neck.
Portrait of James Grant. Courtesy of the North Okanagan Naturalists’ Club.

James Grant, often known as Jim, was born in Trinity Valley near Lumby in 1920. Even as a child, Jim showed a keen interest in nature and art. At the age of 15, his lifelike sketches of birds had become so impressive that he won a bird-drawing competition conducted by the English magazine “The Bird Lover’s League.”

Jim later worked as a farmer and a logger before enlisting in the Canadian Army in 1941. He served with the Royal Canadian Corps of Signals until 1946, when he returned to Vernon and was employed by the Federal Forest Entomology Lab.

His work took him throughout the province, and he quickly became a skilled ornithologist, entomologist, and botanist. He also spent a few years doing similar field work in Alberta. In 1970, he was appointed Field Studies Coordinator for School District 22, a position which saw him organizing and conducting student field trips to grassland, forest and pond sites, where he remained until his retirement in 1978.   

White orchid flowers on yellow-green stems surrounded by dark green words in a semi-circle that read North Okanagan Naturalists' Club.
North Okanagan Naturalists’ Club logo featuring a bog orchid.

Jim was a founding member of the North Okanagan Naturalists’ Club; in fact, during an excursion to the Mara Meadows Ecological Reserve in 1965, he spotted a small, white bog orchid which later became the club’s emblem. He also operated a hospital for injured hawks and owls from his home in Lavington.

After Jim’s passing in 1986, his botany collection was donated to the Vernon Museum. However, earlier this year, the museum’s collection committee decided that it would be of more value to the Biology Department at UBC’s Okanagan Campus, and it was transferred accordingly, to the great excitement of the university staff.

 

To explore more of Vernon’s history, check out our other blog posts

Gwyneth Evans, Research and Communications Coordinator

 

 

A man in black and white wearing a loose, white button-up shirt standing in a pottery studio. He has a bushy mustache and furrowed eyebrows, and a partially bald head. He is showing a pottery bowl to the camera. To his left are three shelved full of different pieces of pottery, including bowls, mugs, and jugs.
Axel Ebring with some of his creations in 1953.
Axel Ebring’s article in the Vancouver Sun of April 3, 1943.

The Historical Record works in mysterious ways.

Around 1975, a newspaper dating back to April 3, 1943, was discovered beneath the floorboards of a North Vancouver home. 47 years later, in 2022, the newspaper has made its way to the Museum & Archives of Vernon

The North Van house was 80 years old in the 1970s when it was purchased by Jim Huffman, who now lives in Vernon. While renovating one of the bedrooms, Jim discovered two or three complete Vancouver Sun Newspapers dating back to the 1940s tucked beneath the old linoleum flooring. Being somewhat of a self-proclaimed history nut and hoarder, he tucked them away in safe place before passing them along to a museum staff member earlier this year.

What is interesting about one of these aged Vancouver newspapers (other than the fantastic Prince Valiant cartoons) is that it includes an article about one of Vernon’s very own—Axel Ebring. Long before the age of the internet, this celebrated local potter had managed to make a name for himself across the province.

The Potter of Vernon

Axel Ebring was born in Kalmar, Sweden, in 1874. At the age of only 12, he immigrated to Canada. He worked as a general labourer for many years, before adopting his father’s profession and building his first production kiln at Notch Hill, near Salmon Arm, in the 1920s. He discovered another clay deposit about ten years later in Vernon, and moved his operation here.

Axel Ebring’s photo in the Vancouver Sun of April 3, 1943

A Massive kiln and an even bigger legacy

As the Vancouver Sun article relates, Axel Ebring’s kiln was about 20-feet square and 8-feet high, with walls that were two-feet thick. After forming his creations, Axel would decorate them with naturally-produced dyes made from roots and berries. The article also includes an interesting discussion of the process Axel would take to break down chunks of scavenged quartz to form a glaze. Once decorated and glazed, the pieces were placed in large, heat-resistant crocks called “seggars,” which were then stacked on top of each other in the kiln. The pieces were fired twice for sixty hours, with a cooling period in between, and then were ready for sale.

Axel remained in Vernon until 1954, when he passed away. His legacy was marked in the naming of Pottery Road, near where his kiln and shop were located. Many of creations are preserved in both the Vernon Museum and the R.J. Haney Heritage Village & Museum, as well as in private collections. 

 

To explore more of Vernon’s history, check out our other blog posts

Gwyneth Evans, Research and Communications Coordinator

 

 

 

The post office clock on Barnard (30th) Avenue circa 1935.

A Post office clock

In 1912, Vernon opened a beautiful new post office complete with a British-made clock tower on 30th Avenue. The building and its clock graced the city for decades until the structure was partially torn down in 1959.

Luckily, the clock itself was rescued by the owners of the former Allison Hotel in Vernon, who recognized its historic value and stored it in their basement until 1971.

The Clock is restored

That year, the clock was acquired by the Vernon Centennial Committee with intentions to restore it to its former grandeur. While its inner workings were stored at the Historic O’Keefe Ranch, the clock faces were installed in a new centennial tower located outside the Vernon Museum.

The Vernon Museum’s role

Forty years later, in 2011, the clock faces were removed from the centennial tower, and alongside the inner mechanisms, were installed in the Vernon Museum.

Thanks largely to the efforts of local inventor Garry Garbutt, and dozens of generous supporters, the clock was restored to working condition. This former post office clock uses a pendulum to keep time, and has to be wound every few days (although the museum staff usually keep it unwound unless they wish to be startled by an impressively-loud chime once an hour).

To explore more of Vernon’s history, check out our other blog posts

Gwyneth Evans, Research and Communications Coordinator