Two black and white images. One shows a classroom with five girls seated at desks working on artwork. Artwork is also hung up on the walls. The other photo shows Miss Jessie Topham Brown. She has white hair and glass with thick black frames and she is wearing a striped collar shirt with pearls.
An undated photo of a class at Miss Jessie’s art studio; (inset) a portrait of Miss Jessie in the 1970s.

International Women’s Day

March 8 was International Women’s Day. One woman who had a particularly important influence on the local art scene was Miss Jessie Topham Brown.

Miss Jessie immigrated to Canada from England in 1909, and later arrived in Vernon in 1916. She began working at the St. Michael’s Boarding School for Girls, located on East Hill, as a cook, coach, and art teacher. After World War One, she started teaching at the Vernon Preparatory School, and in the summers, offered art classes for both children and adults from a camp on Okanagan Lake near the Killiney Wharf.

Summer Art Camps

Those who attended these camps would pack out their supplies on horseback, and spend several days sleeping beneath the stars and painting during waking hours. The groups would sometimes venture to other locations, including the Mara and Shuswap Lakes, to capture different landscapes.

Described as a “paragon of the arts,” Miss Jessie had been exposed to creative pursuits since childhood, having spent three years at the Slade School of Art at University College, and although she did not paint much herself, loved cultivating the talents of others.

Art Studio and Art Gallery

Miss Jessie later opened her own studio on 32nd Street, which she then moved to the former Post Office building at 30th Avenue and 30th Street. Besides drawing and painting, she also taught pottery, weaving and silk screening until her retirement in 1967. Many of Miss Jessie’s former students went on to be accomplished artists, one of whom was Joan Heriot, good friend to fellow artist Sveva Caetani.

Miss Jessie was also integral in creating a facility to house a permanent collection of local artwork. The Topham Brown Public Art Gallery was originally located in the top floor of the Vernon Museum (now used as a storage space for artifacts); it later moved to its current location at 3228 31st Avenue, around the same time as its name was changed to the Vernon Public Art Gallery. To honour Miss Jessie’s contribution, the main gallery at the VPAG continues to be known as the Topham Brown Memorial Gallery.

In 1971, “in recognition of her service, contribution, influence and encouragement in the field of the arts to all residents,” Miss Jessie was granted Freedom of the City. She passed away a few years later, in 1974, at the age of 92.

 

To explore more of Vernon’s history, check out our other blog posts

Gwyneth Evans, Head of Archives

 

 

 

 

a young lady’s education

 

September 18, 2020

She was barely over five feet tall, but what Miss Maud Le Gallais lacked in stature, she made up for in determination.

As a young lady, Miss Le Gallais was educated in England at a boarding school for girls and she arrived in Vernon in 1912 bent on starting a similar institution here. By the sounds of it, she didn’t face much opposition. At the time, Vernon was inhabited by many European families, and since boarding schools were an “Old Country” tradition, Miss Le Gallais’ project was welcomed.  

St. Michael’s Boarding School for Girls opened in 1914, in a large house on East Hill (2000 37th Avenue). The four upstairs bedrooms were converted into dormatories, and the downstairs rooms into classrooms.

 

 

St. Michael’s School for Girls with surrounding gardens in 1927

The first “St. Michaelites” were local girls between the ages of 8 and 18, but as the school’s reputation grew, so too did its catchment area. By 1917, it was bursting at the seams, and a second residence on the opposite side of the street was added. At the same time, the school was incorportaed as “The Bishop’s School of the Diocese of Kootenay.”

The education at St. Michael’s had an obvious English flavour; like in boarding schools across the Atlantic, instruction covered the “three R’s,” plus English and Canadian history, geography, botany, French, Latin, scripture, gymnastics, drawing, dancing, music, and needlework. The students were taught to be perfect ladies—at least by the standards of the early 20th century. In the first issue of the school’s magazine, Headmistress Le Gallais recorded her wishes for her pupils, saying “I have visions of reading in future magazines of old St. Michaelites taking high places in all the learned professions … and of their making the most of all the oppurtunities that have at last come to women, to make the world a better place for their use of those oppurtunities.”

By the time the school’s enrollment grew to 55 students, the two residences were so over capacity that a proper school building was well-needed. In 1921, a structure three and a half stories high was built on five acres of land overlooking what is now Polson Mall.

This new building was a significant upgrade. In addition to classrooms and living quarters, the school now also had a library/music room, an impressive kitchen, and a gym which doubled as an auditorium for dramatic presentations and assemblies.

The girl’s enjoyed a number of fun activities during their time at St. Michael’s, from picnics with the local girl guides, to toboganning in the Winter, to weekend hikes in the summer, to cricket games, to visits from the boys at the Vernon Preperatory School. 

Miss Le Gallais retired in 1932, and following a decline in enrollment during the Great Depression, the school closed its doors five years later. In 1978, the school building was torn down and replaced by a townhouse development aptly named St. Michael’s Court.

Gwyn Evans